| Battle Royale is not as good a novel as I would
like it to be. There is no genius to its tone, no eloquence in its
direct, forceful, expository style. There are no subtexts. Virtually
nothing is left unexplained. While reading it, I did not feel challenged
in the slightest.
Nevertheless, I very much enjoyed reading it. The book is remarkable
in several ways, not least in that it is precisely what it claims
to be: a pulp thriller with an inflammatory premise. (Note, in passing,
the book is not printed on pulp. The paper is thin but bright white,
though not as opaque as I'd like. It's quite readable, though.)
Actually, it should probably be written thus: a PULP!!
thriller. The book is stuffed with cheap thrills and cheap laughs
alike, intertwined with the drama and pathos expected of students
who suddenly find themselves forced to comprehend: "If I don't
kill, I will be killed." Like all well-written pulp, Battle
Royale is impeccably plotted, tightly paced, and direct as a shot
in the head.
Even so, it frequently reads like a running commentary on the movie,
tying up loose ends, amplifying character development, explaining
narrative purposes. The movie version of Battle Royale makes more
sense for having read the book. (Though I'm left kicking myself
for having missed the point of several scenes.) The style even occasionally
drops into self-parody or makes funny little comments or comparisons
on the action. It's not an immersive way of writing, but it's consistently
entertaining, even gripping.
In some ways it reminds me of Rurouni Kenshin. Whenever Kenshin
was fighting, one of the other characters would be standing around,
explaining to the audience why his style was so amazing. People
do the same thing in this book.
I'm not sure how much of the blame belongs with Viz. Certainly,
the production values for the book could have been higher. The cover
is nice, the printing and typesetting are both quite good, but there
are several typos. The translation is readable, but plodding, and
there are some artifacts. (There's one sentence: ". . .caught
unarmed except for the gun in his hand." That has to be an
error on someone's part. Writer, publisher, translator. . . I don't
know.)
The novel follows the movie quite closely all the way through,
but there's a lot of added detail. Some scenes are changed. Several
students die in radically different ways. Many of the changes were
for the better. Some are not. In general, though, the book's plotting
was better, more realistic, while the movie emphasized the epic
nature of the story, occasionally sacrificing realism. (And creating
a few gaping plot holes in the process.) The movie's students are
sketched quickly, while the book's are boldly defined. Mitsuko Souma,
in particular, is treated with far more detail and sympathy in the
book. Both works maintain their artistic integrity throughout. I
found the movie more satisfying, but I can understand those who
prefer the book. My praise of the movie
carries through to the book almost unchanged.
But, with all I've said, I still read it, almost uninterrupted,
until I had finished. The book is very direct: Shuya Nanahara is
a good person. Everyone says so, and his actions in the course of
the story prove it. Shogo Kawada is a good person. Noriko Nakagawa
is a good person. That's the reason Battle Royale transcends its
gore-drenched genre, and is a good book despite itself. The reader
is left with no choice but to care for even the minor characters,
individually, by name.
From the epilogue:
Now, once again, "2 students remaining."
But of course they're part of you now.
chris |
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